Anna Tambour and Others
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Autumn
April 2017
![]() Have you tried my blog? ![]() "I hate quotations. " - Ralph Waldo Emerson
"I would suggest the
president deploys wisdom to tackle the crisis.. because that is
a diversionary strategy." ![]() – Nicola Twilley, Syrup Stockpiles, Wine Lakes, Butter Mountains, and Other Strategic Food Reserves, Edible Geography Let it roast indifferent long. – "Joan", cookbook writer of the 1600s, quoted in Taste: The Story of Britain through its Cooking by Kate Colquhoun Why should a word in a recipe be less important than a word in a novel? One can lead to physical indigestion, the other to mental. – Julian Barnes, The Pedant in the Kitchen Last I called by, Muntjac was roasting in the oven, surfaces brimming with mushrooms gathered, some dried, a hoard: Shaggy Parasols; Chanterelles, orange and sweet-apricot-scented; something blue. Another fellow appeared a basket in his hand large to gather wood, in it full – Penny-Buns, Ceps, plentiful as a baker’s. - Olivia Heal, Notes: On Forage, Mushrooms and the Noma Cookbook Emma lent me a crochet hook so I made many octopi. Several were worn as fascinators and all have found good homes." - Kathleen Jennings, here In the art of postmodernists hedonistic motives are rare; they are basically non-existent in installations and video art projects of recent years. As a kind of postmodernist response, with its intrinsic underlying irony, to the theme of oriental hedonism one can consider the part of a photo-collage diptych inspired by the verses of I. Brodskiy, "We lived in a city the color of petrified vodka". - Akbar Khakimov, Hedonism in Contemporary Art, San'at, (The magazine was created in accordance with the Decree of the Cabinet of Ministers of Uzbekistan 'About the Academy of Arts of Uzbekistan' ") "Like a couple at an okay party, who turn up late and spice things up: the horseradish [in a Bloody Mary] makes your sinuses fizz, the celery leaves tickle your cheeks, and and stalk, with the runnels of tomato juice in its furrows, makes an ideal instrument of emphasis in drunken conversation." - Niki Segnit, The flavour Thesaurus I cannot and will not cut my conscience to fit this year's fashions. - Lillian Hellman, in testimony before the US House Committee to Investigate Un-American Activities, 1952 More in The Cellar ØØØ Anna Tambour stories that can be read online: The Oyster and Alice O. The Dog Who Wished He'd Never Heard of Lovecraft Stories & poems in the HMS Beagle: BioMedNet archive Temptation of the Seven Scientists The Emperor's Backscratcher Travels with Robert Louis Stevenson in the Cévennes The Wages of Food-Play Klokwerk's Heart Me-Too & Try Now serving: The adventures of discovering the ellemehnopee Skin, Fiction, Mushrooms, & Progress Out-of-the-box Serving Suggestion The Mary Quant Jelly Thing & other surprises from the sea And in Heliotrope Magazine A long poem Succession At Quandong Creek In memoriam Asher E. Treat (1907 - 2004) "Actually, Asher was an excellent dinner companion. Anybody who wears a loupe around his neck at dinner, and tells you how he finally trained his box turtle Mabel to listen to his commands (after 35 years), or sent small boys out to catch bats, and then explain how mites can only live in the left ear (right ear in the old world) of moths to evade the bats, or who would build a mammoth box kite and fly it half a mile high off Cobble, or who would play his French horn so that you'd hear it across the valley, Anybody like that makes an excellent dinner companion." - Edward Perkins, in a letter to A.T. — A little Treat — " The lepidopterist who seeks an easy introduction to the Astigmata had best leave his collection and visit the nearest cheese shop. " Home of The Society for Prevention of Cruelty to Bulwer-Lytton a place of compassion in a cruel world
Anna Tambour currently
lives in the Australian bush with a large family of other species, including one man.
(Rosie, the beauty
in the picture above, died on the 19th of January, 2006. Her
tributes are firstly
this, and then
this.)
I really hate the
imperative to be an image (why can't people worship my Word?) but
since I've lost this dogfight, here's a current image for Creative
Commons use:
![]()
Qs and
As
Some Seasoned Preserves Spring October 2015 Late winter August 2015 ![]() Early winter May 2015 ![]() Early Summer December 2014 ![]() Spring November 2014 ![]() Late Summer February 2014 ![]() Spring October 2013 ![]() Winter August 2012 ![]() Tea moulds conviviate in a crazed pot. Autumn March 2011
Summer December 2011 ![]() Spring October 2011 winter July 2011 ![]() Summer January 2009 |
26 April 2017
"Joy"
a short story
![]() Volume 22, Issue 2 featuring new stories from Anna Tambour/Simon Brown and Laura E. Goodin. When you purchase this ebook issue you will receive:
March 2017 the new novel ![]() November 2016 "The Dog Who'd Been Dead" in ![]() December 2015 from Cheeky Frawg Books the e-edition ![]() Anna Tambour is a rogue punk-prophetess whose writings not only stray from the beaten path; some of them are so far out there that you can hear the distant drums of strange story-tribes being awakened by her prose. - I O’Reilly, British Fantasy Society Books by A.T. & Publications with Tambour stories & Online stories ![]() ![]() ![]() ![]() ![]() ![]() 2015 August release: from Ticonderoga Publications ![]() – Faren Miller, Locus Magazine "It would be inaccurate to say each story in The Finest Ass in the Universe takes your hand and pulls you into its world. Rather, each story dunks you headlong into the vortex of its world ... It is unlike anything I have read before." – Cecilia Quirk, The Melbourne Review of Books "Tambour is one of those writers who writes carefully and exquisitely and slowly ... To have twenty six-short stories collected in one place (including five originals) is seriously exciting." – Alexandra Pierce, Aurora Australis, Tor.com ![]() Newest Release "Curse of the Mummy Paper" in ![]() "The Gun Between the Veryush and the Cloud Mothers" in ![]() "Wiseman's Terror Tales" in ![]() 2014 "Ahem," said Moses. "The Old Testacles" a short story in The Cascadia Subduction Zone ![]() —Free to Read at Tor.com— ![]() a short story The gorgeous painting is by Karla Ortiz. See more of her artwork here.The Art Director is Irene Gallo. This short story was acquired and edited for Tor.com by consulting editor Ellen Datlow. I wrote the "The Walking-Stick Forest" for Ellen, who has not only given me the most inspiring rejections but has been the best guide any writer could dream of. 2013 "Bowfin Island" in![]() edited by Hal Duncan and Chris Kelso "There just isn't an English word to conjure up the specific mode of gutted thwartedness that is the sickening sensation of being scunnert." - Hal Duncan Every library, public and private as the little room, should have this fascinating and playful collection. "Marks and Coconuts" (my paean to parrots) in ![]() "The Dog Who Wished He'd Never Heard of Lovecraft" reprinted from Lovecraft eZine #13, April 2012 in ![]() CRANDOLIN shortlisted for the 2013 World Fantasy Award “With the appearance of her new novel, Crandolin, she will surely register Richter-powerful on the delighted synapses of all patrons of weird, funny fabulism ... But what’s really central to Tambour’s tale is the romance of food.” —Paul Di Filippo, Review, Locus Magazine “By turns lyrical and absurdist, whimsical and elegantly true, Crandolin is unlike any novel you will ever have read. Anna Tambour is brilliant, a true original.” —Lucius Shepard "Most of all, this book is completely original. And how many times do you find a book like that? I read a few hundred of the blasted things a year, and even I only encounter one or two really, really unique books on a good year. If I don't read another book as original, whimsical, witty and wondrous as this all year, it will still have been a very good year. Heck, a very good decade." -Jayaprakash Satyamurthy, Review, Aaahfooey "At heart Crandolin is a rich confectionery, a tapestry woven out of dreams and nightmares, an Arabian Nights tale for the twenty first century with Tambour as Scheherazade, lulling us with her mellifuous voice and artistry. I loved it, and didn’t want it to end." —Peter Tennant, Review, Black Static ![]() ![]() More Magazines and Anthologies with A.T.'s Short Stories "She writes so far left field that you need binoculars to see her." - Girlie Jones, Not if You Were the Last Short Story on Earth 2013 "God" and "Mother Hubbard's Cupboard" in ![]() 2012 "King Wolf" in ![]() "How Galligaskins Sloughed the Scourge" in ![]() "Murder at the Tip" in ![]() The Dog Who Wished He'd Never Heard of Lovecraft Free to read, and/or download the audio version read by Bruce L. Priddy in Lovecraft eZine #13, April 2012 edited & published by Mike Davis ![]() more free-to-reads: from Phantasmagorium #1 Decemberish 2011 edited by Laird Barron "Cardoons!" a terrifying tale of veg and WARNINGs Read Cardoons! online here"The Oyster and Alice O." in FLURB a Webzine of Astonishing Tales Issue #12 "Fall–Winter" 2011 edited and illustrated (in paintings and photographs) by Rudy Rucker. 2011 New e-editions from infinity plus "Tambour could be called an infinity plus 'discovery' ... Monterra’s Deliciosa is a delicious collection of often startling and outrageous tales." – Paul F. Cockburn, Interzone, May-June 2011 "I have particularly enjoyed Monterra's fable, and have read it to my pigs Alice, Ferdinand and Isabella, who also appreciated its humour and scope." –Tom Jaine ![]() ![]() ![]() ![]() ![]() 2010 Sprawl edited by Alisa Krasnostein Published by Twelfth Planet Press ![]() Andromeda Spaceways Inflight Magazine ![]() ![]() ![]() ![]() 2009 Lovecraft Unbound edited by Ellen Datlow ![]() 2008 The Del Rey Book of Science Fiction and Fantasy: Sixteen Original Works by Speculative Fiction's Finest Voices edited by Ellen Datlow ![]() Paper Cities: An Anthology of Urban Fantasy edited by Ekaterina Sedia Published by Senses Five Press ![]() Year's Best Australian Science Fiction & Fantasy, Volume 4 edited by Bill Congreve & Michelle Marquardt Published by MirrorDanse Books ![]() Scary Food: A Compendium of Gastronomic Atrocity edited by Cat Sparks Published by Agog! Press ![]() 2007 ![]() The Workers' Paradise edited by Russell B. Farr and Nick Evans ![]() Subterranean #7 edited by Ellen Datlow ![]() Logorrhea: Good Words Make Good Stories edited by John Klima Order here or ask for it at your bookstore ![]() Interfictions: An Anthology of Interstitial Writing edited by Delia Sherman and Theodora Goss ![]() ![]() ![]() ![]() ![]() ![]() "There is No Rice Pudding in the Sea" Fantasy Magazine, #3 edited by Sean Wallace in Mythic Delirium edited by Mike Allen a poem: "Trapped Words" Hear it read by Alistair Rennie A Novel and a Collection by A.T. A Locus Recommended Reading List Selection I shot him a look that would pierce most people of my acquaintance. He looked blandly back. However, he seemed truthful. Angela Pendergast, escapee from the Australian bush, grew up with the smell of hot mutton fat in her hair, the thought of her teeth crunching a cold Tim Tam chocolate biscuit -- the height of decadent frivolity. Now, though her tastes have grown and she knows absolutely what she wants, her life is embarrassingly stuck. So when the Devil drops into her bedroom in her sharehouse in inner-city Sydney with a contract in hand, she signs. He's got only a Hell's week to fulfil his side, but in the meantime he must chaperone her -- or is it the other way around? The SF Site: Featured Review by Rich Horton "...a wicked, thoroughly unpredictable romp . . . Spotted Lily might just be a particularly inventive comic take on wish-fulfillment, but soon enough it strays far from the beaten path...a dizzying but delightful journey through old myths and modern chaos, turning Faust and Pygmalion on their ear as it cuts its own path toward something like self-knowledge." - Faren Miller, Locus "I hate giving away the story, but allow me to say that this novel is not going where you think it is....teaming with genuine wit and humor... excellent writing...One thing I’m sure of is that it should be required reading for all those who go into writing fiction with dreams of great remuneration and fame. If it were, Tambour would already be both wealthy and famous." - Jeffrey Ford, 14theditch "One of the things I liked most about this book was that it was so difficult to tell where it was going...the book is so well written that for a lot of the time you don’t actually notice that it has a supernatural element to it." - Cheryl Morgan, Emerald City "It's passionate, it's intense, it's profoundly human and humane and honest, and, when it comes down to it, a hell of a read. I was sitting up late into the night to finish it. It's that good." - Keith Brooke Perhaps you would like to read Chapter One Published by Prime Books Cover art for Spotted Lily: The Artist by Norman Lindsay (Australian) c.1921, copyright © Lin Bloomfield Stomates on scouring rush, electron microscope view, copyright © Dennis Kunkel Microscopy, Inc. Book Design: Anna Tambour and another Locus Recommended Reading List Selection
Monterra's Deliciosa & Other Tales & Introduction by Keith Brooke Table of Contents Temptation, indulgence, exploration and shortcuts. Love and compulsion. An ocean in Kansas, the Magic Lino, the real story behind the one told by Robert Louis Stevenson, a chef dying of ennui, gathering bluebirds, paying with candywrap. And the greatest story ever told -- by Asher E. Treat, of course. The glorious chaos of singing, prancing, perfumed and stinking, the dead and the busy, tragic and achingly otherwise--life itself. "A winning, offbeat sensibility is at work in the 31 stories and poems that make up Tambour's first fiction collection, finding the lighter side of potentially sober themes and giving humanist spins to scientific ideas. Certain tales show an exotic spirit that puts them squarely in the magic realist tradition, while others reflect self-consciousness about the craft of writing. All but a handful of these stories are original to the volume, which makes a fine introduction to a writer little known . . ." - Publishers Weekly "Monterra's Deliciosa & Other Tales & could never be mistaken for ordinary genre fiction ...don't imagine this as high falutin' 'lit'rature' accessible only to people with advanced degrees. Anyone with a taste for beauty, audacity, sensuality, and wit can find much to enjoy here." - Faren Miller, Locus What about Medlars? I admit it. These venerable individualists (and I've known many personally) have charmed me ― so much so that they star in "Valley of the Sugars of Salt" and have managed to shove themselves into cameo roles in a couple of other stories here. |
The virtuous medlar circle thoroughly bletted Guest Features Turcotte's Battle by Laura E. Goodin The Fortunes of Mrs. Yu by Charles Tan Previous Features... More Irresistibles More in The Cellar . . . ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() by Jesse Bullington ![]() ![]() by Inga Simpson
The
Hyena Stories ![]() ![]() by Chris Flynn The Unseen Photographs of a Legend that Never Was celebrating ~ C.C. Askew ~ Extraordinariest The Art of Christopher Conn Askew "His work challenges my descriptive abilities"![]() ![]() ![]() ![]() ![]() Museum of Soviet Arcade Games< ![]() ![]() ![]() edited by Cesar Vega, Job Ubbink, & Erik van der Linden Leng ![]() ![]() ![]() ![]() "What did you say? Hay! What did you say? Nothing? Oh, it's alright" Cryptic creatures: The art of camouflage How easily happiness begins by dicing onionsA Dangerous Lingerie and Other Mid East Street Stories the Spook the West The secret aesthetic code of Chômu Pressu The sandals monument he e Navel gazing Dir Watch an ant colony take up residence inside a scanner over five years he The War of the Gnome and the Mountain Devil The nature of noise WWhen Suva had a Cinema Paradiso m Embrace an indie publisher! New vistas of irreality![]() 2Weird fiction tributes #1 by 2000 Ancient Tombs The First Museum on Turkish CoffeeTh ![]() Some Previous Guest features The Apprenticeship of Isabetta di Pietro Cavazzi by L. Timmel Duchamp Mama by Bharatram Gaba A Love Story by A.C.E. Bauer Terror Australis Incognito by Leone Britt Why Postmodernists Don't Climb Mountains by Alistair Rennie The Lowly Potato by A.C.E. Bauer The Multidimensional Topology of Department Stores by Spencer Pate Come Tomorrow by Jayaprakash Sathyamurthy (honorable mention, Best Horror of the Year volume three edited by Ellen Datlow) Terminós by Dean Francis Alfar Don't Turn Loose & Heat by Ferris Gilli Why I like Nudibranchs, marine slugs with Verve by Hans Bertsch The Lowly Potato by A.C.E. Bauer 3 Poems by Robert DeGraaff Elegy for Brussels Sprouts Serial Killers No Parking in Cambridge, Mass. The Apparatus by Neil Williamson Cat Flap by Chuck McKenzie CHARLES TAN A Retrospective on Diseases for Sale & The chicken spits the cook or Charles Tan Talks (an interviewish thing) A Stone to Mark My Passing by Lee Battersby On the Blindside by Sonya Taaffe Chaloupes by A.C.E. Bauer Four O'Clocks by Ferris Gilli Night of the Living Crickets by Spencer Pate Excreta, etc. by Bharatram Gaba Nobody Did Debris Like Jack Kirby by Jamie Shanks Oysters: A Few Words by Alistair Rennie & A dead-guests-can't-say-no Featured Classic THE HEAT AND BRIGHTNESS OF THE SUN "(including an experiment with the burning glass, that most boys have often tried)" by Sir Robert S. Ball |